Hi and welcome!
I was in this spot a couple of years ago, and I’ve found it a consistently rewarding and surprising process. The Syntakt and Digitakt continue to surprise with how many ways you can approach them. Great advice above, to which I’ll add:
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I’ve found the idea of the etude a consistently helpful one, learning a sound type or machine or combination by trying to play with it in very simple compositions with limits.
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There are a lot of good resources on this forum, maybe starting with the